Self-Concept Artists Jemek Supardi in Constructing Indonesian Pantomime Techniques
Indar Sabri1, Muhammad Jazuli2, Totok Sumaryanto F3, Autar Abdillah4

1Indar Sabri, Postgraduate Doctoral Degree, Semarang State University, Indonesia.
2Muhammad Jazuli, Professor of the Language and Art Faculty, Semarang State University, Indonesia.
3Totok Sumaryanto, F, Professor and Chair of the Art Education Doctoral Study Program Semarang State University, Indonesia.
4Autar Abdillah, Chair of the Apron Journal at Surabaya State University, Indonesia.
Manuscript received on March 12, 2020. | Revised Manuscript received on March 25, 2020. | Manuscript published on March 30, 2020. | PP: 3496-3503 | Volume-8 Issue-6, March 2020. | Retrieval Number: F8952038620/2020©BEIESP | DOI: 10.35940/ijrte.F8952.038620

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Abstract: The phenomenon of Jemek Supardi’s existence as an Indonesian pantomime artist becomes interesting to examine comprehensively about Self-Concept Artists Jemek Supardi in Constructing Indonesian Pantomime Techniques. The method applied in this research is qualitative. The umbrella used in this research is Phenomenology which is assisted by various scientific disciplines, such as psychology, symbolic intraction and existence. The data collection technique was carried out by interview, observation and document study. The purpose of this article discusses the Self-Concept Artists Jemek Supardi in Constructing Indonesian Pantomime Techniques, so that it can be used as a roll model of pantomim based on psychological development, aesthetic considerations and cultural characteristics of the community as inspiration in the work of pantomime. The results of the research get the concept of pantomime Jemek Supardi as Roll Model of Indonesian Pantomime Technique and works of Jemek Supardi pantomime since 1979-2019 as the existence of Indonesian pantomime works.
Keywords: Self-Concept, Jemek Supardi, Pantomime Technique And Phenomenology
Scope of the Article: Software Engineering Techniques and Production Perspectives.