The Copyright Protection System Through the Art Community Paradigm in Indonesia
Aditya Yuli Sulistyawan
Aditya Yuli Sulistyawan, Diponegoro University, Semarang, Jawa Tengah, Indonesia.
Manuscript received on November 12, 2019. | Revised Manuscript received on November 25, 2019. | Manuscript published on 30 November, 2019. | PP: 5526-5529 | Volume-8 Issue-4, November 2019. | Retrieval Number: D8095118419/2019©BEIESP | DOI: 10.35940/ijrte.D8095.118419
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© The Authors. Blue Eyes Intelligence Engineering and Sciences Publication (BEIESP). This is an open access article under the CC-BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/)
Abstract: The copyright protection system born from developed countries with the philosophy of ‘individualism’ dominates the dynamics of legal regulation in the world. No exception in Indonesia, arrangements regarding Intellectual Property Rights cannot be avoided since the entry into force of the Trade Related Aspect of Intellectual Property Right (TRIPs). Various instruments of copyright law are taken for granted in Indonesia, which then present problems because of their incompatibility with the Indonesian context which philosophically adheres to the principle of collectivity and mutual cooperation. As a result, Indonesian artists feel that the presence of a system of copyright protection is actually considered a burden on their creative work. With research carried out in the qualitative tradition and constructivism paradigm, this paper will discuss the study of legal philosophy regarding the problematic system of copyright protection in the midst of the life of the arts community in Indonesia. Efforts to protect copyright that are in line with the philosophy and needs of artists in Indonesia should be of concern to the current government.
Keywords: Copyright, Paradigm, Art Society, Legal Philosophy.
Scope of the Article: Artificial Life and Societies.